What are you making right now?
I’m making work for my upcoming solo shows at Marrow Gallery in San Francisco and Turn Gallery in New York. These paintings are mixed media, centralizing papyrus surfaces and incorporating rubies, thread, pearls, beads, glitter and ink. The content is really just the expansive mystery of human relationships. I’m also working on a monograph with Radius Books, set to release in 2022.
Where do you make work?
I split my time between Nashville and New York, but I typically find that I’m more creative in Nashville.
What’s your favorite and least favorite material/tool/process that you use?
Rubies are by far my favorite material I’m currently using. I’ve been sewing them onto papyrus, another favorite material, alongside freshwater pearls, fire glass, lava beads, glass beads, and glitter. The expansion of materials beyond just paint and panel is a new and exciting development in my work. I took jewelry making classes at the Craft Alliance in St. Louis for two years, and it’s really nice to have finally figured out a way to marry my love of gems and metals with painting. I think about the recent work as jewelry for your mind. My least favorite process is hand sewing beads because I always end up pricking myself with the needle.
What do you listen to while you work?
All sorts of music—lately a lot of Billie Eilish, Kelsey Bulkin, and Novo Amor. But also I love making work in silence.
Do you have a ritual? A studio uniform?
I find it usually helps if I clean up a bit before I start working. Having a clean, organized space that isn’t distracting helps my creative process. I also usually always walk into studio with a cup of Earl Gray tea.
What do you do when you’re not in the studio?
I’m a mom to a 2.5-year-old—a full-time/lifetime job!
What influences your work the most?
I grew up in a big Persian family, and that experience continues to inform the work. I find the dynamics in nuclear and extended families both fascinating and haunting. I would say the Family Systems Theory in psychology is an overarching influence on my work. Bowen’s theory views the family as an emotional unit where family members are intensely emotionally connected. It suggests behavioral patterns can lead to either balance or dysfunction of the system or both. All my paintings are explorations of these concepts and are directly related to specific events, people, and experiences I’ve had as a daughter, sister, wife, and mother.
Favorite WashU memory that you can share with the general public.
Meeting my husband at Bauhaus. <3
What’s the best thing you learned as an art student at WashU?
The level of rigor that was required of me in the art school prepared me for life as a professional artist in New York. I remember junior and senior year we had to be in studio Monday, Wednesday, Friday, from 9 am to 4 pm. Developing that habit of hard work and long hours was indispensable to my development as an artist.
What advice would you give to our students?
Worry more about listening to your intuition than about writing a perfect artist statement or having some overly articulated conceptual framework. Honing your intuition and learning to trust your voice are two of the most important skills you must develop as an artist.
What is your favorite thing about St. Louis?
Walking through Forest Park to the Saint Louis Art Museum.