Rubber hoses twist like intestines. Silver leaf coats a plaster colander. Okra and deviled eggs, cast in pigmented resin, shine like jewels and drape like holiday popcorn.
In works both humorous and incisive, sculptor Tamara Johnson uses familiar household forms to explore personal landscapes, gender dynamics and the fraught relationship between domesticity and hidden systems of the body.
In spring 2023, the Dallas-based artist will serve as the 2022-23 Henry L. and Natalie E. Freund Teaching Fellow at Washington University in St. Louis. Jointly sponsored by the Saint Louis Art Museum and the University’s Sam Fox School of Design & Visual Arts, with support from the Henry L. and Natalie E. Freund Endowment Fund, the fellowship is designed to promote the creation and exhibition of contemporary art as well as the teaching of art.
About Tamara Johnson
Born in Waco, Texas, in 1984, Johnson earned a bachelor’s degree in studio art from the University of Texas at Austin in 2007 and a master’s in fine arts, in sculpture, from the Rhode Island School of Design in 2012. She spent the next six years in New York, serving as a project manager for the Robert Gober Studio and public artist Janet Zweig while exhibiting her own work at Socrates Sculpture Park, the CUE Art Foundation, Wave Hill, Maria Hernandez Park, Air Mattress Gallery and other spaces.
In 2018, Johnson and fellow artist Trey Burns founded the Sweet Pass Sculpture Park on a one-acre lot in west Dallas. An extension of their own artistic practices, Sweet Pass provides space and support for temporary, experimental and large-scale outdoor projects by a diverse set of contemporary voices.
Johnson’s work has been featured in dozens of exhibitions, including recent solo and two-person shows at the Nasher Sculpture Center and the ex ovo gallery, both in Dallas; at Wassaic Projects in New York; and at MAD Arts in Dania Beach, Fla. Other major exhibitions include the Dallas Biennial and shows at the Utah Museum of Contemporary Art in Salt Lake City, the Blanton Museum of Art in Austin, and Grand Union Gallery in Birmingham, England.
Johnson’s numerous honors include a National Endowment for the Arts grant, in conjunction with Wassaic Projects, as well as awards from the Meadows School of the Arts at Southern Methodist University, the Santo Foundation in St. Louis, the Foundation for Contemporary Arts in New York and the Brooklyn Arts Council.